White China - Smiles and Jokes (1985)

Smiles And Jokes
1985

WHITE CHINA
Kenny Graham, Pete Chambers, Jeff Bernstein
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Side one 1. Smiles And Jokes (Extended Mix)

Side two 2. Seen From Above 3. How I Wish (Instrumental Remix)

SMILES AND JOKES

I know my high, where my dreams were set to go
It was a jewel time which never ca-me true
Your pressure's on, it crashed through my illusions
Your wanting face has ruined my life

But at the start
Things weren't so different
Your smiles and jokes, your smiles and jokes
But at the start
Things weren't so different
Your smiles and jokes, your smiles and jokes

Now I've gone down and looked and seen the ruins around me
I despise your face and the look I hope we'll never see
You put your head with modern prayers and in your prayer is star wars
You were the good in the tick-by TV screen

But at the start
Things weren't so different
Your smiles and jokes, your smiles and jokes
But at the start
Things weren't so different
Your smiles and jokes, your smiles and jokes

But at the start
Things weren't so different
Your smiles and jokes, your smiles and jokes
But at the start (But at the start)
Things weren't so different
Your smiles and jokes, your smiles and jokes
But at the start (But at the start)
Things weren't so different
Your smiles and jokes, your smiles and jokes
But at the start (But at the start)
Things weren't so different
Your smiles and jokes, your smiles and jokes

White China - Real World

Band first time on TV, Oxford Roadshow with Peter Powell in 1984

Kenny Graham, Pete Chambers and Jeff Bernstein of White China

Early 1984 White China signed a record breaking major production deal with Island Records and Stiff Music in the UK, an American Deal with MCA was complete by the middle of that year. It became quickly obvious to the Band that things weren't all they could be, after spending 6 days in RAK Studios in London with Steve Brown as producer and Pete Glenister as co-producer, "Real World" the first single, was delivered to Dave Robinson owner of Stiff Music and now MD of Island Records. Robinson wasn't happy with what he heard so, he asked Steve Brown to remix the song at Wessex Studios in London, but again he didn't like what he heard. Robinson then had the single remixed a further 17 times with various producers and different studios, the final version being done in Rockfield, Wales with Julian Mendelsohn as producer, Robinson was heard in conversation stating, the success other artists like U2, Bob Marley, Frankie Goes to Hollywood were having on Island meant he had to delay the Bands debut single, due to no staff being available to push the band to radio and TV.

The Band weren't happy with his decisions or this version of "Real World" and let Dave Robinson know in no uncertain terms, it appeared at that time Julian Mendelsohn was the preferred producer in Robinsons eyes, but on his first efforts the Band didn't want to work with him, Peter Powel of Radio 1 agreed that the Bands efforts with Steve Brown were by far a better version. The tapes were then sneaked up to Scotland for Neil Ross at REL studios in Edinburgh to remix and complete a 12" version, Neils remix was considered good by the Band and management, he had originally produced the Bands demos that had attracted so much attention from various major labels, but again Dave Robinson rejected this version.

At this point producer Martin Rushent stepped in, he was willing to do a new version of "Real World" at his Genetic Studios, this session didnt better that of the first Version by Steve Brown, so Dave Robinson decided to release Julian Mendelsohns version against the bands wishes. The Band then Toured for the 3rd time with Big Country in the UK, Eagerly awaiting to find out how there first single was doing in the charts the band were given a bombshell blow, they had been penalized for selling to many copies in Scotland, indications of an initial top 40 with the first single were now in tatters. The Band went back to the drawing board to find another producer to do a second single "Too Young", this was to be released 2 weeks into the Steeltown tour the band had agreed with Big Country.

Producer Howard Gray was then chosen, the Band then went to CBS Studios in London, and then to be haunted in, The Manor Studios and Ridge Farm, again with co-producer Pete Glenister to complete the second single "Too Young", the Band were happy with the results, but Dave Robinson was not, his mention of Julian Mendolsohn again drove the band out of Islands offices in disgust and off to tour with Big Country with no single to promote.On this Tour the Band decided that this time they would find a producer to record the first Album "The Innocence" with or without Islands approval.

The Band were introduced to producer John Punter, instantly they struck up a good relationship with John and decided to go back to Genetic Studios, Phil Tennant was to be the engineer who the Band had previously worked with on Martin Rushents version of "Real World" so things were looking up!.

Now late 1985, the album was finished, the final mixes were to be completed in Air Studios, Oxford Street, London. The Band were happy with what John Punter had Dave Robinson was given the album early 1986, this time he liked what the Band had done, he quickly released "Smiles and Jokes" to be followed by "Too Young" but sadly disaster struck, Dave Robinson was given his marching orders from Island and Chris Blackwell wasn't going to be back in charge for some time, so all Island releases were shelved for the time being. The Band completely disillusioned by this time, and feeling very much a good TAX loss for Island, refused Dave Robinsons offer to move to Stiff to release the first album, a move that they might be thankful for, Stiff Records/Music shortly after went bust, and the Band negotiated to get off Island, sadly the Band went there different ways at this point never to reform, but still remain good friends to this day.

The first album "The Innocence" is now being pursued by the Band, it is hoped that Universal will honor Islands contract and return the master tapes, a release date of early 2007 is the target, the Album Island didn't want anyone to hear may eventually make it to CD, all be it some 20 years late finished for them, at last after having to record 48 track for most of the album it sounded close to how the Band did live.